10th INTERNATIONAL CONFERENCE ON INTERACTIVE DIGITAL STORYTELLING (ICIDS) November 14-17, 2017 This year, the International Conference on Interactive Digital Storytelling (ICIDS 2017) will take place in Funchal, Madeira Islands, Portugal and be hosted by the ?Madeira Interactive Technologies Institute . ICIDS has its origin in a series of related international conferences that ran between 2001 and 2007. Since 2008, ICIDS … Read More
Call for artworks from the Open Data Institute (offering loan/production fees) – deadline 26 April 2017
http://theodi.org/blog/call-for-proposals-lmao Where is the humour in data? In these meme-fuelled, data-overloaded, statistically skewed times, we are asking how, when and where can data be funny. Data infrastructures are revealing themselves to direct, redirect or misdirect our news, our governments and ultimately our cultures. How can we find the comedy ā dark or light ā in the flow of data surrounding … Read More
Call for proposals – AlgoMech 2017 ‘Unmaking’, Sheffield, UK – deadline 13 April 2017
The festival will showcase Algorithmic and Mechanical Movement from the perspective of the arts and arts-science, through performances, talks, hands-on workshops, installations and a symposium.
No Way Out: Theatre as a Mediatised Practice – London, 20-21 April 2017
No Way Out: Theatre as a Mediatised Practice TaPRA Performance & New Technologies Interim Event Birkbeck University of London & London South Bank University, April 20th & 21st [please scroll down for registration details] Mediatisation ā the increasingly pervasive influence of new media technologies in the form of social institutions and ideological apparatuses on society, culture and consciousness since the … Read More
Correspondences – audio/visual performances, De Montfort University, Leicester, 3-4pm, 25 March 2017
3pm to 4pm, Saturday 25 March, 2017 Room 4.05 Vijay Patel Building De Montfort University LE2 7DR (Entrance through The Gallery, Mill Lane) A concert of audio/visual performances of works by Mark Fell and Jean-Pierre Husquinet in collaboration with Ernest Edmonds on the occasion of the opening of his exhibition Constructs, Colour, Code at The Gallery, DMU Crinan 1 by … Read More
Dadaclub.online: the Exhibition – Brescia, Italy, 25/3 – 15/4/7
On February 5, 2016 the Link Art Center launched Dadaclub.online, an online archive and creative platform meant to celebrate the dada legacy in the centenary of dadaās birth, that took place in Zurich on February 5, 1916.
Stepworks – new E-lit tool by Erik Loyer
Stepworks is a new site dedicated to “one-button storytelling.” Every work on the site is available for you to perform, modify, or replace with your own content. You can remix the content of any story with the look and feel of any other.
Real / Virtual – Ugly Duck’s Creative Call Out – deadline 3 April 2017
In an era where technology is fully assimilated in society, art and media, augmented and virtual reality have shifted the definition of what constitutes the āreal worldā. What is the meaning of reality today? āDoes āvirtualā necessarily stand in opposition to ārealā?
Call for entries: Lumen Prize 2017 – deadline 1 June 2017
The world’s pre-eminent digital art prize is seeking submissions within the field of Virtual & Augmented Reality, Moving Image, Interactive, Web-based and 3D / Sculpture.
Call for papers: Computational Creativity and Games Workshop (CCGW 2017) – deadline 14 April 2017
Papers may cover a variety of topics within computational creativity in digital games.
New Media and Digital Storytelling (tenure-track Instructor position) – Institute for Critical Indigenous Studies, Vancouver – deadline 28 February 2017
The Institute for Critical Indigenous Studies (CIS) at UBC-Vancouver invites applications for a tenure-track teaching and educational leadership position at the rank of Instructor, with starting date of 1 July 2017.
Call for papers: Algorithmic electronic dance music – deadline 23 March 2017
Algorithms are at the heart of the virtual studio software applications underwriting so much contemporary dance music, but are normally the prior preserve of music engineering teams rather than musicians. This special issue, however, engages with algorithms as musical material, and especially with music which is inherently founded on computer programming technique.