Lancaster Institute for the Contemporary Arts at Lancaster University is seeking to enhance its already strong national and international profile of excellence by appointing a new Lecturer in Fine Art: Moving Image or Digital Art.
This new prize is part of The London Group Open 2017. A new prize for digital art in all its forms. The selected artworks will be shown as part of the London Group Open in November 2017 and the winner will receive £500. Digital video, still image, sound, 3D, web, game, interactive, installation, VR, electronics, robotics, etc… This prize is … Read More
The Digital Arts MA at De Montfort University Leicester (UK) is an exciting practice-based programme that runs across the Faculty of Arts, Design and Humanities and the Faculty of Technology.
http://www.kcl.ac.uk/cultural/culturalinstitute/showcase/current/whatson/exhibitions/apocalypse.aspx Friday 7 November – Friday 19 December 2014 Inigo Rooms, Somerset House East Wing, Strand Campus Open Tue – Sun, 12.00 – 18.00 Free Admission The November Computer Arts Society lecture, “De/coding the Apocalypse”, will be given by Michael Takeo Macgruder at the British Computer Arts Society London office at 5 Southampton St., London, WC2E, at 7pm on Tuesday … Read More
Check it out: www.digitalartarchive.at The ARCHIVE OF DIGITAL ART (ADA) features the artist duo SCENOCOSME (Gregory LASSERRE & Anais MET DEN ANCXT), known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature. The collective explores (invisible) energy flows between living beings and/or between humans and their environments by means of technology and make them … Read More
http://www.whit3cu.be When Inside the White Cube first appeared in Artforum in 1976, its impact was immediate. Without a doubt, O’Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, … Read More
[from Paul Brown] http://www.digitalartarchive.at The ARCHIVE OF DIGITAL ART 2.0 is online! Since its foundation in 1999, the Archive of Digital Art (former Database of Virtual Art) has become the most important scholarly online archive for media art. In cooperation with established media artists, researchers, and institutions, it has been documenting the rapidly evolving world of digital art and its related fields for … Read More
========================= CALL FOR PARTICIPATION: ISEA2015 ========================= ((( ISEA2015 ))) 21st International Symposium on Electronic Art August 10-14 2015, Vancouver, Canada. http://ISEA2015.org Submission types: ========================= We are delighted to announce the 21st International Symposium on Electronic Art will be held August 10-14, 2015, in Vancouver, Canada. The ISEA2015 symposium welcomes submissions for three broad types of activities: 1 – An exciting … Read More
1. Turbulence Commission: “From the Valley of the Deer” by Jillian McDonald 2. Turbulence Commission: “Psychographics: Consumer Survey” by Dane Watkins 1. “From the Valley of the Deer” by Jillian McDonald http://turbulence.org/works/fromthevalleyofthedeer [For mobile devices] “From the Valley of the Deer” is an augmented reality artwork based on Valley of the Deer, a video installation produced in Scotland in 2013. … Read More